Which Is Not One of the Three Stock Character Types Commonly Found in Commedia Dell Arte?

Commedia dell'Arte Characters

Here is some background on the Commedia dell'Arte characters that many of the Venetian Masks designs are based on:

1. Zanni

Zanni is probably not the offset character that springs to listen when you call back of Commedia dell'Arte characters.  That is because the Zanni grapheme is seminal to many other characters in the Commedia dell'Arte theater, including Arlechino, Brighella, and Pulcinella.  The proper name 'Zanni' is a atomic of Venetian name 'Giovanni' (John) and we get our English word 'zany' from this, which gives you an thought of the nature of this graphic symbol!  The Zanni graphic symbol was a buffoon or clown and known in those days equally a simpleton or 'stupid incompetent fool'!

This character was fatigued from the lower classes of the time, the peasant or migrant worker who worked in Venetian society as a servant, valet or porter.  Sometimes also equally an odd chore person or hawker.

The term Zanni therefore refers to a class of mask although in some cases was a specific character as well.  This clown was an important aspect of Commedia dell'Arte theatre, representing the peasant class of social club.  Zanni reflected the role of the Bergamo peasants, who at that time were facing a famine in the rural areas they lived in due to cheaper imports from Greece (sound familiar?) afterwards their region was conquered by the Venetian army in the early 1400's.  They flooded in to the urban cities such equally Venice, offering themselves for whatever work they could find and eeking out a living in anyway they could.  In their favour, they were famous for their nimbleness and agility on the positive side and on the other side - their crudeness.  Overlaid on all of this was their fantastic dialect and manner of speaking - these traits formed the basis of an important graphic symbol in Commedia dell'Arte.

In the early days of Commedia dell'Arte, the Zanni mask used in the theatre was a full face mask with a long nose.  It developed from hither into a half mask covering the upper half of the face only with an extended, long nose.  The longer the nose on the mask, then the more than stupid was the character.

The costume of the Zanni graphic symbol reinforced for the audience the nature of this character.  Usually dressed in sacking and hunched over through carrying heavy loads as a porter, with knees in a 'bowed' position and feet splayed apart.  This was in sharp contrast to the aristocracy characters in the Commedia dell'Arte who ever carried themselves with erect actions.  Zanni was ever highly animated, waving arms and gesticulating with hands when speaking in a coarse manner with erratic body movements thrown in!  Some Zanni characters were known for their acrobatic feats, including hand-stands and flips.  Others displayed their roots and were constantly ravenously hungry (coming from a famine in their home towns) simply their coarseness likewise introduced mirth into the theatre with farting, burping and resounding snoring.

ii. Pantalone

Pantalone is a well known Commedia dell'Arte character.  The original proper noun of this character was an old homo named "Magnifico".  He spoke in apparently, nonetheless musical Venetian dialect.  The original proper name before long gave way to the more well known "Pantalone".  There are numerous interpretations about the origin of this proper noun.  Information technology is said that it derives from San Pantalone, 1 of the Saints venerated in the city of Venice.  A Venetian church building is even named after San Pantalone.

Another possible origin is the term "piantaleoni", a name used for the merchants who opened their stalls in conquered lands and symbolically "planted" the Lion of St Mark to extend the ability of the city of Venice through trade.  The graphic symbol Pantelone is of form an old merchant, so it does give some credence to this theory.

Other theories are that the name pre-dates this era and goes back to the Greek expression meaning "powerful in all things".

Pantalone'southward character is mostly an old merchant, often wealthy and esteemed, at other times completely ruined, nonetheless always an old human being in every detail, with business skills.  His mask typically highlighted his concrete characteristics including a hooked olfactory organ and prominent eyebrows.

Browse through the Italy Mask "Traditional" selection to see if we currently have a Pantalone mask in stock.

three.  Il Dottore (The Doctor)

Il Dottore in Commedia dell'Arte is commonly dressed in the traditional style of a medieval dr., with a huge black adjust, frequently with a ruff and a notary's beret or large physician's cap.  He wears a mask over half of his face up that highlights his bulbous nose.

Il Dottore is a comic personage originally from "well-fed and learned" Bologna.  He is a 'doctor' only in name and is depicted at times as a learned physician and at other times as a notary or lawyer.

Browse through the Italia Mask "Traditional" selection to meet if we currently have an "Il Dottore" mask in stock.

4.  Arlecchino (Harlequin)

The Arlecchino mask is one of the about popular masks in the Commedia dell'Arte series.  It was traditionally worn by the graphic symbol Arlecchino (Harlequin in English) who was bandage as a bit of a dim-wit, silly, simple minded person and perpetually hungry, again, in the Zanni genre.

Arlecchino is one of the youngest characters of the comedy and the utilise of this character in the Commedia dell'Arte has been traced back to as early as 1593.

Arlecchino's usual role is that of a true-blue valet or servant, but in this context he is also the clown, the acrobat providing lots of comic relief!  Equally soon equally this grapheme appears on stage there is always lots of laughter at his absurd actions and words, alternating between flashes of brilliance and manifestly idiocy.  You tin can't predict which will manifest itself at any time! This is overlaid with wit and charm, as well equally scheming to see his own objectives.

While undertaking errands for his master or pursuing a pretty lady (or both!) he gets into all manner of strife.  He employs every technique he can to achieve his objectives, including pretending to be a soldier or a woman.  His absent mindedness is legendary and he can be looking for the chair he is sitting on or completely sidetracked by a pretty lady, coin or food!  All the while, his dizzying free energy is causing his supple body to undertake somersaults, handstands, cartwheels and all sorts of acrobatic feats! Understandably, he was loved past audiences.

Arlecchino'south costume ordinarily comprised a jacket and trousers with colorful and irregular patches, with a white felt chapeau with a rabbit or play a joke on tail and a belt with a wooden spatula (or 'slap stick').  This was used to stir polenta or sometimes to slap another person, a parcel, baggage, food or other items belonging to someone else!

Arlecchino's mask has a puggish olfactory organ, sometimes a crash-land on his forehead and usually with devilish and feline features.  He is truly a colorful graphic symbol!

Browse through the Italy Mask "Traditional" selection to see if nosotros currently have an "Arlecchino" mask in stock.

5. Pulcinella

The Pulcinella mask in the Commedia dell'Arte theater is reputed to have originated from the south of Italia (Campagnia), a region boasting a wealth of comic traditions.

Pulcinella's concrete appearance in the theater often resembled that of a cockerel.  His mask with a beaked nose is thought to have given rise to his name, either from the Latin 'pullus gallinaceus' or from a dialect abuse of 'pullicino' (young chick).

Regardless, his big olfactory organ, squeaky phonation, clownish means gave rise to him beingness cast as a charlatan, lazy bones, tumbler and acrobat.  The Pulcinella character appeared in many acts of the Commedia dell'Arte and it was this character that prompted Giandonmenico Teipolo to paint him on the walls and ceilings of the Villa Zianigo in Venice.

We usually have a number of Pulcinella masks in stock. Review our choice of Traditional Venetian Masks now.

half-dozen. Colombina

Colombina is usually cast as a mischievous maid in the Commedia dell'Arte, a comic but not always virtuous figure with a all-time friend (and sometimes lover) of Arlecchino.

Her costume is usually unproblematic, representing what maids wore in the 1700s.  She sometimes wore colorful patches (like Arlecchino) set off past a small white cuff and an apron of the same color.

Colombina is translated into English as "footling Dove" and the masks in this range are without exception purely "Eye Masks", merely covering the eyes and exposing the mouth so that the wearer is able to eat and drinkable freely.  This design is said to have originated considering of the character Colombina's vanity and not wanting to obscure also much of her beauty with a mask.

These masks form the ground of a large number of variants all based on the Colombina Eye Mask, but are now available in feather, leather, jolly, baroque, metallic filigree and macrame / lace.

Because of their utility to be worn at masked events, such as masquerade balls, these masks are the about popular Masquerade Mask.

Scan through our collection of 150 Colombina Masks now - in that location will be one there that is just correct for you.

7. Il Capitano (The Captain)

Il Capitano'due south character in Commedia dell'Arte is unremarkably a vainglorious, deceitful and braggart soldier, dressed in a vivid and colorful uniform.  This was unremarkably a accommodate with multi-colored stripes and aureate buttons, a feathered cap and a large sword with several rust marks or fifty-fifty some cobwebs!  His part usually involves him boasting of great exploits of war, but he is also the subject field of pranks and jokes from the other characters.  He sometimes responds to this by unsheathing his sword, but the only blood that is ever spilt is his ain!

8. Brighella

Brighella is cast every bit a shrewd servant in the Commedia dell'Arte in the 'Zanni' genre.  One of his specialties for this part are the tricks and pranks that he plays on other characters and is sometimes also an practiced musician, singing and playing the guitar.  This meddlesome, greedy and astute retainer is also a ruffian, ready to satisfy fifty-fifty the meanest desires of his chief.  He is commonly totally unscrupulous and prepare for any craft.

His costume is that of a servant, merely usually with several short green stripes on a white background on both shirt and trousers.  He sometimes also wears a cloak and a cap with green stripes.

For some reason, Brighella'southward popularity was partly eclipsed in the Commedia dell'Arte past Arlecchino, who became much more pop with audiences.

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Source: https://www.italymask.co.nz/About+Masks/Commedia+dellArte+Characters.html

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